I’m writing this down before I touch or even look at my images from tonight, while the events from a few hours ago are still fresh in my mind. It’s a first — I usually stagger off to bed or slog off to work after these events, but tonight, I think I can spare some time.
So Eduard Folayang is no longer ONE Championship’s Lightweight champion. That distinction — along with being top dog of the Featherweight division as well — now belongs to Australian-Vietnamese fighter Martin Nguyen. Anticipating what used to be Folayang’s unorthodox style that involved a lot of spinning backfists and kicks, Nguyen landed a quick and solid right counter after one of Folayang’s signature moves, and just like that, the Filipino champ was down, and stayed down. He was able to walk out back to dugout, head hung low, but he did not make it to the post-fight press conference; I hope he is doing well.
A perfect right hand counter from challenger Martin Nguyen sent Pinoy lightweight champ Eduard Folayang down.
From a Filipino fan’s perspective, I’m not happy right now. Before the KO, Folayang was doing pretty well and was pretty assertive in the cage, landing some good shots in the process. He and Nguyen were powerful strikers and I had some confidence — at least as a casual observer/fan — that the Igorot fighter had an edge. That Nguyen was also moving up a weight class helped. Except a stunning counter, developed after countless hours of training, and in Nguyen’s words, after taking “countless spinning backfists and spinning back kicks in the face” was the proverbial final nail in the coffin of the two Team Lakay members who fought in the main event tonight. Earlier, fellow teammate Danny Kingad blew his chance at the flyweight title after submitting to a rear-naked choke from reigning champ and BJJ phenom Adriano Moraes.
Fortunately, the other Team Lakay members in the card fared better. Kevin Belingon, once a contender for the bantamweight title, featured in the most exciting fight tonight after he displayed explosive power and technique to earn a unanimous victory over Korean Kevin Chung. Gina Iniong ground-and-pounded her way to a TKO win, and is now tentatively going to be Mei Yamaguchi’s next opponent two weeks from now. Yamaguchi was supposed to rematch Angela Lee in another attempt to wrest the atomweight title from the latter, but Lee recently figured in a serious car accident and will likely be out of commission for a long while before she can be fit to compete again. Finally, Joshua Pacio is climbing back up the ladder, tooth-and-nail, ending his bout with fellow Pinoy Roy Doliguez with a spinning backfist that sent the latter to the canvas.
All in all, I think like in the past, it’ll be a learning experience for Team Lakay. They could argue before that their signature all-rounder, unorthodox style worked, but Nguyen will just be the first of many that will effectively take Team Lakay’s fighting style to task. ONE Championship Chairman and CEO Chatri Sityodtong said that Folayang will need a couple of fights more — after he heals up — before proving himself worthy to regain the title shot again. And that’s all well and good, I think. Folayang and the rest of Team Lakay have much more room to grow, and I for one, am excited to see what they’ll being to the table when they evolve once again.
Filipino culture is by nature, colorful. From small gatherings and occasions like local barangay fiestas to the full-on, humongous, and production-value festivals the many of our provinces hold, there is the undeniable and irrefutable stamp of Filipino creativity and ingenuity.
But when you think about it, many of our local festivals that have been part of our culture for decades stem from our Catholic heritage and our Spanish colonization that lasted for more than 300 years.
This is where the Imbayah Festival in Banaue, Ifugao sets itself apart.
Imbayah is a festival that celebrates local Ifugao cultural traditions, such as the thanksgiving for a bountiful harvest. It’s also interesting to note that the name of the festival itself is derived from the Ifugao word for rice wine, bayah. Perhaps our penchant for calling out “Inuman na!” during special occasions has far deeper cultural roots than we realize.
Traditionally though, Imbayah was about the rising of status in the community and the more affluent members of society hosted the celebrations in their respective homes. In recent years though, it has been more of a celebration and means to remember Ifugao culture in general — while it has still a lot of ways to go in terms of tourist spectators, especially compared to the larger celebrations in other provinces, more and more people have braved the twisting mountain roads to catch a glimpse of this truly unique festival. In fact, Imbayah used to be held only once every three years, but has become very successful that it is now a yearly occurrence.
Contingents from Banaue’s 18 different villages converge in the town proper, terraces, bringing with them their own tribal symbols. They dance, they compete in ethnic games, not so much as performances or shows for visitors — although visitors are most welcome — but as more of a remembrance of where they came from and what makes them unique as a people. In fact, a number of the competitive sports played in the ethnic games were used to settle disputes between tribes.
Another popular event of the festival is the wooden scooter race, where participants zip down the mountain roads from of one of the highest viewpoints of the rice terraces down to the Banaue town proper. These scooters have no motors whatsoever, with the racers relying on their deft maneuvering and the craftsmanship of their bikes to get ahead.
There are also several opportunities to further appreciate mountain culture — there are organized treks through the famed rice terraces themselves that visitors can take, or for the more adventurous, a trek to the village of Batad where even more majestic rice terraces await, and below them, the raging but beautiful Tappiya waterfalls.
It may lack the pomp and splendor of other festivals, but there is something profound about the Imbayah; it’s more than the top-load traveling, or the unique food (ants and kamote, anyone?), the strapping fellows in tribal g-strings, or even the ingenuity and persistence behind the beautiful rice terraces. It’s something pure, something largely untouched by our colonial history, something inherently and uniquely Filipino.
Getting there: You may opt for a side trip to Baguio City first and then catch a bus to Banaue, or take a bus straight from Manila to Banaue. This year’s festival is on April 18-22.
*This post was originally published in the April 2016 issue of the Filipino-Japanese Journal.
During a corporate event I covered recently, I though of playing a bit with the lights, getting this as a result. Only sharpened and resized in Photoshop, no other effects or filters added.
Recent Comments