I’ve long been wanting to try to cover a real, honest to goodness festival – which our country is filled with, all year round. And I think there was no better way to induct myself (and my wife, incidentally, who this early, I will say, got much better images than I did) into the wonderful world of Philippine festivals than to start with the Dinagyang Festival in Iloilo City.

The festival itself has humble roots, beginning a couple of decades back – in the 60′s, to be more precise – as a small Catholic celebration aimed to exalt the Santo Niño and commemorate the sale of Panay from the Ati tribespeople by Malay settlers. As the years passed, and with the 1977 directive of then president Ferdinand Marcos for Philippine provinces to beef up their festival activities in a bid to promote tourism, the Dinagyang has become one of the best and biggest festival celebrations in the country.

The whole festival lasts for several days, but the real highlight of the celebration is the Ati Street Dancing Competition, where several tribes (13, this year, many of whom also have been around for many years) face off against each other. Honestly, I have never seen anything like it in my entire life. The grand props and costumes, the drums and the choreography, the energy and passion of the performers – it truly is something to behold at least once in anyone’s lifetime.

All of the tribes were wonderful to watch, although some were obviously limited by their lack of sponsors, but the dancers made up for it with sheer passion and energy. Last year’s champ, Tribu Pan-Ay, successfully defended their title this year, with a grand performance that I cannot sum up in words for fear of not giving it enough justice. Even the videos you’ll easily find on YouTube are a far cry from watching the live performance.

This year, there were four judging stages in all (last year there were only three, if I am not mistaken) where each of the tribes had to perform in front of a different audience (and also a different set of judges, I believe). The shooting passes I secured for my and my wife (special thanks for these goes to Jon Aguirre of the Framed Shots Camera Club and GBL Alumni Olive and Oliver Faustino) had us at the last fourth stage, so we had to wait for a couple of hours before the performers got to us. The wait was worth it.


Lord willing, me and the missus will be back in Iloilo next year to shoot this awesome festival again. It’s really a one of a kind experience and one I’d recommend to anyone.
For those who like to see the complete Dinagyang set, you’ll find it here.
Tagged: Culture and the Arts











































